• Beyond Blood (2025): Studio Work
    • Beyond Blood (2025): Studio Work
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    • Beyond Blood (2025): Studio Work

    • Pencil and pastel on paper, (59.4 x 84.1 cm). Beyond Blood is a self-portrait of the artist, his husband and their loyal companion, Margo. The piece explores the idea of chosen family - the relationships built through love, care and commitment rather than defined by tradition alone. At its heart, the work celebrates the quiet strength found in building a…
  • Casa Altrove (2025): Studio Work
    • Casa Altrove (2025): Studio Work
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    • Casa Altrove (2025): Studio Work

    • Digital drawing on iPad. Drawn in Sardinia, Casa Altrove captures the warmth, colour and distinctive light of the Mediterranean through a contemporary portrait. The title, meaning House Elsewhere, reflects the subject's experience as an expat who has made a home on the island while remaining connected to another place. It explores the quiet tension between belonging and elsewhere, where home…
  • First, Last, Everything (2025): Commission
    • First, Last, Everything (2025): Commission
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    • First, Last, Everything (2025): Commission

    • Pencil and pastel on black paper, (59.4 x 84.1 cm). First, Last, Everything depicts a couple’s first kiss as a married pair. Named after their wedding song, You're the First, the Last, My Everything by Barry White, the piece centres on commitment and devotion - the weight of choosing one another, while holding past, present and future in the same…
  • Frozen Memory (2026): Commission
    • Frozen Memory (2026): Commission
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    • Frozen Memory (2026): Commission

    • Pencil and pastel on card, (29.7 x 42) Frozen Memory is a portrait that captures a fleeting stage of early life - full of curiosity, softness and quiet expression. The focus sits in the eyes and subtle details, holding onto the individuality already present at this point. The title draws from “Freeze” by Kygo, a track that holds personal meaning…
  • God Save The Lions (2024): Commission
    • God Save The Lions (2024): Commission
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    • God Save The Lions (2024): Commission

    • Pencil on card with digital elements, (59.4 x 84.1 cm). God Save the Lions was commissioned as a patriotic piece celebrating the newly crowned King, created for display in a corporate box at a football ground. Built in pencil and blended with digital elements, it combines traditional portraiture with a more graphic, contemporary edge. The contrast between the detailed pencil…
  • Good Enough To Eat (2025): Commission
    • Good Enough To Eat (2025): Commission
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    • Good Enough To Eat (2025): Commission

    • Pencil on paper. A2, (21 x 29.7 cm).  Good Enough To Eat was created for Sugar's, an independent artisan dessert spot and community hub in Bexley Village. Alongside its handcrafted treats, Sugar’s creates a welcoming space for families, with activities and experiences that bring children and the local community together. Inspired by the colour, texture and indulgence of the food…
  • Hard Candy (2025): Studio Work
    • Hard Candy (2025): Studio Work
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    • Hard Candy (2025): Studio Work

    • Watercolour, pencil and fine maker on paper, (29.7 × 42 cm). In Hard Candy, sweetness and surface appearance become a way of exploring perceptions of gay culture. Using humour, exaggeration and vibrant colour, the piece plays with familiar stereotypes and visual cues, inviting viewers to look beyond first impressions and consider the complexity that exists beneath them. Limited Edition Giclée…
  • Hard Candy 2.0 (2026): Studio Work
    • Hard Candy 2.0 (2026): Studio Work
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    • Hard Candy 2.0 (2026): Studio Work

    • Giclée Print with hand-applied rhinestone embellishments42 × 59.4 cm  Hard Candy 2.0 revisits the original work through a new lens, created in celebration of London Pride. Presented on a larger scale, the piece allows the bold colour, expressive detail and hand-applied embellishments to take on greater presence. The work explores the relationship between sweetness, surface and identity, using humour, exaggeration…
  • Held Here (2025): Studio Work
    • Held Here (2025): Studio Work
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    • Held Here (2025): Studio Work

    • Pencil and pastel on card, (59.4 x 84.1 cm). Held Here is a portrait of the artist's sister and her newborn daughter, based on a photograph taken during the baby's first visit to their Gran's house after her passing. The title speaks not only to the embrace between mother and child, but to the memories that continue to hold a…
  • Life’s A Drag (2025): Studio Work
    • Life’s A Drag (2025): Studio Work
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    • Life’s A Drag (2025): Studio Work

    • Pencil and pastel with jewel embellishment on black card, (59.4 x 84.1 cm). Life’s a Drag explores the tension between performance and the person behind it. Inspired by a legendary drag scene performer, the piece reflects the confidence, power and spectacle of drag, while still holding onto the quieter, more human presence beneath. Built through layered drawing, metallic colour and…
  • Mary (2025): Studio Work
    • Mary (2025): Studio Work
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    • Mary (2025): Studio Work

    • Pencil and pastel on black paper with gemstone embellishments, (59.4 x 84.1 cm). Mary is a self-portrait rooted in lived queer experience, drawing on influences from music, identity and traditional iconography. The work reflects the fluid nature of identity and the ways it is shaped through experience, visibility and self-expression. Holding vulnerability and strength in equal measure, Mary celebrates queer…
  • Mr H (2026): Studio Work
    • Mr H (2026): Studio Work
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    • Mr H (2026): Studio Work

    • Digital drawing on iPad. Mr H was created in 2026 as a digital portrait and homage to Daniel’s ultimate art hero, David Hockney. Drawn on iPad, the piece celebrates an artist whose influence reaches far beyond painting - shaping Daniel’s relationship with colour, portraiture and the possibility of seeing the world through a distinctly queer lens. Leaning into vivid colour, graphic…